Pitfall: Dirt As People

January 30, 2011 § 1 Comment

In the work of Teshigahara, the influence of literature was present regardless of Kobo Abe’s presence in collaboration because the melting pot that was his films held no constriction to genres or customs in order to get an idea across. The famous words, documentary-fantasy, are really not all that paradoxyl, for what else is art but a bunch of truth-telling lies? Aside from that, in an interview he stated he wanted to do a film about the coal industry at the time, and so he used this urge as a conduit for his social and political views, as well as experience since Pitfall would be his first feature film (as he had only done documentaries previously). « Read the rest of this entry »

Hausu – The Future Of Horror Unexplored

October 29, 2010 § Leave a comment

There are these fleeting moments of surrealism trickling through in what we define as reality that we have all experienced; call it déjà vu or peripheral fantasy if you wish. Though, it’s a bit of a sacrilege to identify this occurrence with those of a sane point of view. I propose those people are completely sane, for only a sane person in contemporary culture denies imagination. No matter though; the imagination remains incontrovertible and intact…and unexplained? Naturally, but only to the point where you choose to limit yourself. Hausu prefers to exaggerate that which is fleeting, dimishing that which is real, and in such a world where reality can call itself calculable. The film takes a leap into alien waters, lest you forget it’s still the 70s. « Read the rest of this entry »

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